
Wishing all our Clients & Crews a Very Merry Christmas and Happy Holidays.
If you find yourself Home Alone over the holiday season & at a loose end why not browse our catalogue of equipment, while you sip on a hot chocolate and nibble on another mince pie! 🎅
See you all back in the mix in '26!
Coming Soon: Accsoon CineView Master 4kFrom input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions.
Christmas Came Early: ARRI Alexa-35s Back in Stock17 stops of dynamic range, 120p capture at 4K; on board RAW and full open gate anamorphic capability, courtesy of the 4:3 native sensor.
Over the holidays, enjoy the final episodes of Sky's Brassic. VMI wishes the show's production and its crew a fond farewell; a series that VMI had been involved with since the very beginning. The original DOP, Richard Stoddard, set the visual look utilising our Sony Venices and set of 2x Cooke Anamorphics. In later seasons, Alex Veitch took the helm and maintained the look.

The final season is avaible to watch on Sky MAX.
Supporting the Production of The CowgirlRacquet Studios, in collaboration with the award-winning team from Plume Films, has achieved a remarkable synthesis of traditional artistry and modern filmmaking.
They utilised the ARRI Mini LF and range of 1.8x Anamorphic Cooke SF lenses available at VMI.
VMI hired ethos-aligned Zero Tech Waste to recycle all of our redundant and old tech. They are a carbon-negative business, using electric vehicles and supporting a robust tree-planting carbon offset program.
Every aspect of their operations is designed with sustainability in mind, ensuring our old devices don't end up in landfill.
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